南花奈 Kana Minami 《Flower Garden(Rabbits)》 2023年 Φ14cm 紙、鉛筆

Flower Garden 

Kana Minami


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Ichiniho, Syuka

大山美鈴 Misuzu Oyama 《行列(昼)》 2020年 27.4×41.0cm アクリル、木製パネル

Hoshi no himatsuri

Misuzu Oyama

Someday a sleeping city, a tower of memory

Matsuyamagobangai, Daisuke Inoue


服部桜子/Sakurako Hattori 《Windows7》 2017, 45.6 x 65 cm, 雲肌麻紙、膠、岩絵具、水干、胡粉、色鉛筆

Sakurako Hattori
[representing artist]

I would like to introduce you my favorite thing; food. I am not just talking about taste, I mean everything about it.


Kana Minami
[representing artist]

I make drawings as a main idea of ''density''. Mostly I draw flower, insect, animal and girl.

宮間夕子/YUKO MIYAMA 《射貫く眼光》 2022, 41×31.8cm, 油彩、水彩、木パネル

Yuko Miyama
[handling artist]

These drawn people are the existence that let you visualize an invisible mysterious power.


Asuka Ito
[handling artist]

I represent Japanese girls' ambivalent feelings, such as love and eros, freedom and secrets, and kawaii-ness and motherhood by colors and patterns...


Kota Omoto
[handling artist]

My subject theme is human beings. Some are depicted in a human shape, others not.

根岸美穂/Miho Negishi《現代のイヴ》2018, 27.3x41cm, oiil on panel

Miho Negishi
[handling artist]

The body to me is another myself who forms an image instead of my heart. I think that the scenery from this viewpoint represents the duplicity or sense of unity of the body.


[handling artist]

The theme of my m is attenuation of relationships with others and contrary dependence, human strength and fragility in the modern times.


Saki Fujikawa
[handling artist]

My work is comprised of various encounters, from shapes to emotions, in daily life.I identify with that which can stand the test of time regardless of life’s harsh realities.

東 麻奈美/Manami Higashi《MERRY GO ROUND(rainy day)》2018, 15.8×22.7cm, acrylic on panel with cotton

Manami Higashi
[handling artist]

For my works, the rotation expresses the immortality, dimension and time flow,

Rieko Honma《butterfly》 2015, 42x59.4cm, ラムダプリント、アクリル

Rieko Honma
[handling artist]

I would like to keep giving shapes to those beautiful, strange and weird things in my dream world and shapeless things that cannot be seen in reality.

八太栄里/Eri Hatta《声》, 2018, 72.7×91cm, acrylic on canvas

Eri Hatta
[handling artist]

All the scenery in my works are based on my memory, and my old self show up there.

大橋麻里子/Mariko Ohashi 「Movement40」 2021年 91×91×3cm パネルに綿布、アクリル、メディウム

Mariko Ohashi
[handling artist]

I believe that everything happens for a reason and all phenomena are all related each other. The world is always connecting in some way, I really hope so.

Hina Maekawa
[handling artist]

I paint well-known fairy tales and old tales as motifs, examining what sign each story and its figure has, and the necessity of naming.

上床加奈/Kana Uwatoko 《Words》 2018, 36.4x25.7cm, acrylic, water colors, ink, paper

Kana Uwatoko
[handling artist]

I like painting ghosts and imaginary creatures.Frightening ghosts, cute ghosts… I always paint thinking “if such creatures existed, it would be exciting”.

Kimiko Chikuma
[handling artist]

My work constantly embraces change and variety. My work, which looks like a portrait at a glance, is a drawing of young lady as a motif.

Risako Ehara
[handling artist]

I paint utopias based on Asian(including Japanese) motifs or everyday thoughts.


Shoko Shimokawa[handling artist]

'Look like a printing but it's has hand drawing texture' that by original carbon transfer technique, and I am exploring between print (edition) and hand drawing.

Mai Takada
[handling artist]

Although I'm tired of wondering when it'll come and go again, it keeps me interested. I can't help seeing the cycles of fashion that last forever.

Yoko Mill
[handling artist]

What is your self-image? In this universe, what preciousness do you have? In this organization called universe, where are you, and how are you working?