高田 茉依 mai takada


Hitsuji, Mai Takada

park hotel tokyo

「kawaii dakejyanai!」at PARK HOTEL TOKYO

Kana Minami, Manami Higashi, Ryoko Kaneta, Kyaraai, Mayumi Konno, Ichiniho, Haruka Kawazome, Tsunotsuno, Syu Kanesawa, NAGMO

宮間夕子 Yuko Miyama 《祝祭の彼方》 2023年 60.6×72.7cm 油彩、水彩、アクリル、木パネル


Yuko Miyama


Mariko Ohashi Solo Show

Mariko Ohashi



Kana Minami, Manami Higashi, Yuko Miyama, Ruriya Kawaguchi, Kana Uwatoko


服部桜子/Sakurako Hattori 《Windows7》 2017, 45.6 x 65 cm, 雲肌麻紙、膠、岩絵具、水干、胡粉、色鉛筆

Sakurako Hattori
[representing artist]

I would like to introduce you my favorite thing; food. I am not just talking about taste, I mean everything about it.


Kana Minami
[representing artist]

I make drawings as a main idea of ''density''. Mostly I draw flower, insect, animal and girl.

宮間夕子/YUKO MIYAMA 《射貫く眼光》 2022, 41×31.8cm, 油彩、水彩、木パネル

Yuko Miyama
[handling artist]

These drawn people are the existence that let you visualize an invisible mysterious power.


Asuka Ito
[handling artist]

I represent Japanese girls' ambivalent feelings, such as love and eros, freedom and secrets, and kawaii-ness and motherhood by colors and patterns...


Kota Omoto
[handling artist]

My subject theme is human beings. Some are depicted in a human shape, others not.

根岸美穂/Miho Negishi《現代のイヴ》2018, 27.3x41cm, oiil on panel

Miho Negishi
[handling artist]

The body to me is another myself who forms an image instead of my heart. I think that the scenery from this viewpoint represents the duplicity or sense of unity of the body.


[handling artist]

The theme of my m is attenuation of relationships with others and contrary dependence, human strength and fragility in the modern times.


Saki Fujikawa
[handling artist]

My work is comprised of various encounters, from shapes to emotions, in daily life.I identify with that which can stand the test of time regardless of life’s harsh realities.

東 麻奈美/Manami Higashi《MERRY GO ROUND(rainy day)》2018, 15.8×22.7cm, acrylic on panel with cotton

Manami Higashi
[handling artist]

For my works, the rotation expresses the immortality, dimension and time flow,

Rieko Honma《butterfly》 2015, 42x59.4cm, ラムダプリント、アクリル

Rieko Honma
[handling artist]

I would like to keep giving shapes to those beautiful, strange and weird things in my dream world and shapeless things that cannot be seen in reality.

八太栄里/Eri Hatta《声》, 2018, 72.7×91cm, acrylic on canvas

Eri Hatta
[handling artist]

All the scenery in my works are based on my memory, and my old self show up there.

大橋麻里子/Mariko Ohashi 「Movement40」 2021年 91×91×3cm パネルに綿布、アクリル、メディウム

Mariko Ohashi
[handling artist]

I believe that everything happens for a reason and all phenomena are all related each other. The world is always connecting in some way, I really hope so.

Hina Maekawa
[handling artist]

I paint well-known fairy tales and old tales as motifs, examining what sign each story and its figure has, and the necessity of naming.

上床加奈/Kana Uwatoko 《Words》 2018, 36.4x25.7cm, acrylic, water colors, ink, paper

Kana Uwatoko
[handling artist]

I like painting ghosts and imaginary creatures.Frightening ghosts, cute ghosts… I always paint thinking “if such creatures existed, it would be exciting”.

Kimiko Chikuma
[handling artist]

My work constantly embraces change and variety. My work, which looks like a portrait at a glance, is a drawing of young lady as a motif.

Risako Ehara
[handling artist]

I paint utopias based on Asian(including Japanese) motifs or everyday thoughts.


Shoko Shimokawa[handling artist]

'Look like a printing but it's has hand drawing texture' that by original carbon transfer technique, and I am exploring between print (edition) and hand drawing.

Mai Takada
[handling artist]

Although I'm tired of wondering when it'll come and go again, it keeps me interested. I can't help seeing the cycles of fashion that last forever.

Yoko Mill
[handling artist]

What is your self-image? In this universe, what preciousness do you have? In this organization called universe, where are you, and how are you working?